
The Fall/Winter 2010/11 Registration Guide is now available.
Click on each course title for a description of course content and prerequisites.
The School of Music offers many ensembles for student participation. Membership in all ensembles is by audition. Non-B.Mus. students may participate without registering or receiving academic credit, following a successful audition. Additional fees may apply.
Ensembles are closed for preregistration (you cannot add them on QCARD during the course selection period). Once the ensemble auditions have taken place in September, B.Mus. students whose auditions were successful will be able to register for ensembles on QCARD, to a maximum of two.
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| NB | 101* | F | Introduction to the History of Western Art Music I | Malyshko | M: 11.30-1.00 W: 1.00-2.30 | HLH 124 |
| NB | 102*X | W | Introduction to the History of Western Art Music II | M: 6.30-9.30 | WLH 205 | |
| All | 103* | F | Music and Society | Walker | T: 9.30-10.30 Th: 8.30-9.30 F: 10.30-11.30 | HLH 124 |
| All | 171*X | F | Social History of Popular Music | MacKay | M: 6.30-9.30 | DUN-AUD |
| All | 203* | W | Romantic & Twentieth Century Music | Walker | T: 9.30-10.30 Th: 8.30-9.30 F: 10.30-11.30 | HLH 124 |
| All | 204* | F | Baroque & Classical Music | Marvin | M: 8.30-9.30 T: 10.30-11.30 Th: 9.30-10.30 | HLH 124 |
| All | 205* | W | Medieval & Renaissance Music | Malyshko | M: 11.30-12.30 T: 1.30-2.30 Th: 12.30-1.30 | HLH 124 |
| All | 286* | F | Women, Gender and Music | Lamb | T: 9.30-10.30 Th: 8.30-9.30 F: 10.30-11.30 | GGSR |
| All | 289*X | W | World Musics | Rogalsky | Th: 6.30-9.30 | Dupuis Auditorium |
| All | 380* | F | Topics in Music History and Culture I | Malyshko | M: 2.30-4.00 Th: 4.00-5.30 | Rm. 213 |
| All | 385* | F | Research & Bibliography in Historical Musicology | Marvin | M: 11.30-1 Th: 1-2.30 | GGSR |
| All | 485* | W | Introduction to Palaeography | Malyshko | M: 1.00-2.30 W: 11.30-1.00 | HLH 213 |
| NB | 592 | FW | Honours Thesis |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 153 | FW | Composition Seminar | Allik, Burge | F: 2.30-4.30 | HLH 213 |
| All | 191 | FW | Theory and Analysis I | Burge | T: 8.30-9.30 W: 10.30-11.30 F: 9.30-10.30 | HLH 124 |
| All | 191 A** | FW | Tutorial A | Burge | W: 2.30-3.30 | HLH 124 |
| All | 191 B** | FW | Tutorial B | Burge | W: 11.30-12.30 | HLH 124 |
| All | 191 C** | FW | Tutorial C | Burge | W: 3.30-4.30 | HLH 124 |
| All | 255 | FW | Electroacoustic Music Composition | Allik, Rogalsky | T: 1.00-2.30 Th: 11.30-1.00 | HLH 120 |
| All | 291 | FW | Theory and Analysis II | Lind | M: 1.30-2.30 W: 12.30-1.30 F: 11.30-12.30 | HLH 124 |
| All | 351* | FW | Acoustic Composition | |||
| All | 352* | FW | Electroacoustic Composition | |||
| All | 354 | FW | Acoustic Composition | |||
| All | 355 | FW | Electroacoustic Composition | |||
| All | 392* | F | Theory and Analysis III | Lind | M: 8.30-10.00 Th: 10.00-11.30 | HLH 120 |
| All | 393* | W | Introduction to Computers in Multimedia | Allik | T: 10.00-11.30 Th: 8.30-10.00 | HLH 228 |
| All | 394* | F | Contrapuntal Analysis | Burge | M: 2.30-4.00 Th: 4.00-5.30 | HLH 120 |
| All | 398* | W | Modal Counterpoint | Allik | M: 2.30-4.00 Th: 4.00-5.30 | HLH 124 |
| All | 445* | F | Special Topics in Advanced Analysis | Rogalsky | M: 1.00-2.30 W: 11.30-1.00 | GGSR |
| All | 446* | W | Advanced Analysis of Twentieth Century Music | Lind | M: 8.30-10.00 Th: 10.00-11.30 | GGSR |
| All | 451* | FW | Acoustic Composition | |||
| All | 452* | FW | Electroacoustic Composition | |||
| All | 454 | FW | Acoustic Composition | |||
| NB | 592 | FW | Honours Thesis |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 180* | F | Vocal Techniques and Methods | Baird | W: 8.30-10.30 F: 8.30-9.30 | HLH 124 |
| All | 185* | F | String Techniques & Methods I | Dalbec-Szczesniak | M: 10.30-11.30 W: 9.30-10.30 F: 8.30-9.30 | HLH 120 |
| All | 188* | F | Guitar Techniques & Methods | Hanlon | M: 5.30-7.00 W: 5.30-7.00 F: 8.30-9.30 | HLH 120 |
| All | 270* | W | Conducting Techniques | Frederickson | M: 2.30-4.00 Th: 4.00-5.30 | HLH 120 |
| All | 273* | F | Introduction to Music Education | Frederickson | T: 9.30-10.30 F: 9.30-11.30 | HLH 120 |
| All | 274* | W | Music Education: Partnership Placement | Frederickson | T: 9.30-10.30 F: 9.30-11.30 | HLH 120 |
| All | 332* | F | Music in Early Adolescence | Lamb | T: 1-2.30 Th: 11.30-1 | GGSR |
| All | 338* | F | Music in Senior High School | Runions | F: 2.30-5.30 | HLH 120 |
| All | 439*X | W | Studies in Music Education: Creativity | Lamb | W: 6-8.30 | HLH 120 |
| All | 471* | F | Topics in Music Education: Music & Mass Media | Pegley | M: 10.00-11.30 W:8.30-10.00 | DOU-LIB |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 004** | FW | Functional Piano | Davidson | W: 12.30-1.30 | HLH 229 |
| BMus | 127* | FW | Ear Training and Sight Singing I | Tormann | T: 12.30-1.30 Th: 11.30-12.30 F: 1.30-2.30 | HLH 124 |
| BMus | 128A* | FW | Keyboard Harmony I | Davidson | W: 11.30-12.30 | HLH 229 |
| BMus | 128B* | FW | Keyboard Harmony I | Davidson | T: 4.30-5.30 | HLH 229 |
| BMus | 128C* | FW | Keyboard Harmony I | Davidson | T: 1.30-2.30 | HLH 229 |
| BMus | 128D* | FW | Keyboard Harmony I | Tormann | W: 9.30-10.30 | HLH 229 |
| BMus | 128E* | FW | Keyboard Harmony I | Tormann | M: 10.30-11.30 | HLH 229 |
| BMus | 227A* | FW | Ear Training and Sight Singing II | Tormann | M: 12.30-1.30 Th: 1.30-2.30 | HLH 120 |
| BMus | 227B* | FW | Ear Training and Sight Singing II | Tormann | M: 9.30-10.30 Th: 10.30-11.30 | HLH 124 |
| BMus | 228A* | FW | Keyboard Harmony II | Davidson | W: 8.30-9.30 | HLH 229 |
| BMus | 228B* | FW | Keyboard Harmony II | Davidson | W: 2.30-3.30 | HLH 229 |
| BMus | 228C* | FW | Keyboard Harmony II | Davidson | W: 10.30-11.30 | HLH 229 |
| BMus | 228D* | FW | Keyboard Harmony II | Davidson | T: 2.30-3.30 | HLH 229 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| BMus | 120 | FW | Applied Study (Performance) I | |||
| BMus | 121 | FW | Applied Study I | |||
| NB | 124 | FW | Applied Music I | |||
| BMus | 125 | FW | Applied Study (Performance Recital) I | |||
| BMus | 220 | FW | Applied Study (Performance) II | |||
| BMus | 221 | FW | Applied Study II | |||
| NB | 224 | FW | Applied Music II | |||
| BMus | 225 | FW | Applied Study (Performance Recital) II | |||
| All | 253*X | W | Introduction to Jazz Improvisation | Runions | M: 6.30-9.30 | HLH 120 |
| BMus | 261** | FW | Keyboard Accompaniment I | Szczesniak | M: 4.30-5.30 | HLH 213 |
| BMus | 320 | FW | Applied Study (Performance) III | |||
| BMus | 321 | FW | Applied Study III | |||
| NB | 324 | FW | Applied Music III | |||
| BMus | 325 | FW | Applied Study (Performance Recital) III | |||
| BMus | 420 | FW | Applied Study (Performance) IV | |||
| BMus | 421 | FW | Applied Study IV | |||
| NB | 424 | FW | Applied Music IV | |||
| BMus | 425 | FW | Applied Study (Performance Recital) IV |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | 160**X | FW | Choral Ensemble I | Frederickson | T: 6.30-9.30 | Dupuis Auditorium |
| All | 162** | FW | Symphony Orchestra I | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 166** | FW | Jazz Ensemble I | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 178** | FW | Wind Ensemble I | Craig | T: 2.30-4.00 Th :2.30-4.00 | HLH 120 |
| All | 260**X | FW | Choral Ensemble II | Frederickson | T: 6.30-9.30 | Dupuis Auditorium |
| All | 262** | FW | Symphony Orchestra II | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 263** | FW | Unspecified Chamber Ensemble II | |||
| All | 266** | FW | Jazz Ensemble II | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 278** | FW | Wind Ensemble II | Craig | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 360**X | FW | Choral Ensemble III | Frederickson | T: 6.30-9.30 | Dupuis Auditorium |
| All | 362** | FW | Symphony Orchestra III | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 363** | FW | Unspecified Chamber Ensemble III | |||
| All | 366** | FW | Jazz Ensemble III | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 378** | FW | Wind Ensemble III | Craig | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| All | 460**X | FW | Choral Ensemble IV | Frederickson | T: 6.30-9.30 | Dupuis Auditorium |
| All | 462** | FW | Symphony Orchestra IV | Craig | M: 4.00-5.30 W: 4.00-5.30 | HLH 120 |
| All | 463** | FW | Chamber Ensemble IV | |||
| All | 466** | FW | Jazz Ensemble IV | Runions | T: 4.00-5.30 Th: 5.30-7.00 | HLH 120 |
| All | 478** | FW | Wind Ensemble IV | Craig | T: 2.30-4.00 Th: 2.30-4.00 | HLH 120 |
| Open to | MUSC | Term | Course Title | Instructor(s) | Time | Room |
|---|---|---|---|---|---|---|
| All | IDIS 410* | F | Contemporary Cultural Performance in Practice | Rogalsky | W: 2.30-5.30 F: 2.30-5.30 | TBA |